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NRACT’s “Laughter on the 23rd Floor” Is Nostalgic, Engaging, and Completely Endearing


Ever since it first debuted on Broadway in 1993, Neil Simon’s comedy, “Laughter on the 23rd Floor” has been transporting audiences back to simpler-but-still- troubled times, namely the 1950s. Set in New York City and, to be more specific, in the writer’s room of a weekly comedy series, this charming play, onstage now at NRACT and directed by Jon Todd, shines mainly because of its unforgettable cast of characters.

Max Prince (David Klionsky) is the hard-drinking, world-weary star of the aforementioned comedy show. Despite his crazy antics, he loves and appreciates the writers who work for him. They include Lucas (Jonathan King), a sweet-faced, wide-eyed show business newbie, straightforward Russian immigrant Ira (Larry Evans), chain-smoking Brian (Ryan Ladue), and a host of other colorful characters, including a token female and a hypochondriac.

The play, based largely on Simon’s early experiences as a television comedy writer, focuses mainly on character development and on the odd but somehow workable creative process the team undergoes. While some of the humor in Simon’s script is already starting to feel a bit dated and while the show does rely too much on over-the-top, overly-physical humor, there is a lot to love here.

Perhaps what is most endearing in Simon’s script is the genuine concern and love- albeit love veiled by humorous jabs and insults- that the characters have for each other. They have become a family as they work on this labor of love/labor of hate week after week. And, though their show is faltering under the harsh realities of McCarthy-era censorship, their determination to persevere and, later, their staunch denial of what is inevitably to come turns them into even more believable, lovable characters.

With such strong characters driving the play, the wrong casting can completely ruin it. Luckily, Todd has chosen his actors carefully. Klionsky makes Max into a red-faced, slightly psychotic drunk, but one who is still completely lovable and, at his core, sweet. King, with his boyish demeanor and quiet yet powerful presence, is another standout, adding dimension and mystery to the character of Lucas, a character so subtly written that it would be all too easy for him to fade into the background and never have his true beauty realized. Fortunately, King has too good of a read on the character to let that happen. Ladue also does a good job with his comic role- garnering huge laughs, thanks in large part to his flawless execution of a thick Russian accent.

All of the actors’ performances, along with a perfect period set, combine to create that intangible crisp, vaguely physical, and overtly pleasant “feel” that real 50s/60s comedies (Think “The Dick Van Dyke Show” and “Leave it to Beaver”) possess. That sense of nostalgia alone makes watching “Laughter” well worth it. This production truly transports viewers to a different time and place while simultaneously making them realize that said time and place isn’t so different, at least not in the important ways, from today’s.

The North Raleigh Arts and Creative Theatre presents LAUGHTER ON THE 23RD FLOOR at 8 p.m. Jan. 30 and 31, 3 p.m. Feb. 1, 8 p.m. Feb. 6 and 7, and 3 p.m. Feb. 8 at 7713-51 Lead Mine Rd., Raleigh, North Carolina 27615, in the Greystone Village Shopping Center.

TICKETS: $16.52 ($13.41 students and seniors), including fees.

BOX OFFICE: 919-866-0228 or SHOW: and

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Laughter on the 23rd Floor (1993 Broadway comedy): (Samuel French, Inc.), (Internet Broadway Database), and (Wikipedia).

The Script: (Google Books).

Study Guide: (Stage Direction).

Neil Simon (Bronx, NY-born playwright and screenwriter): (Internet Broadway Database) and (Wikipedia).

Laughter on the 23rd Floor (2001 made-for-television movie): (Internet Movie Database).

Jon Todd (Raleigh director): (Facebook page).

EDITOR’S NOTE: Susie Potter is a Raleigh, NC-based freelance writer and editor. She is a 2009 graduate of Raleigh’s Meredith College, where she majored in English. She holds graduate degrees in teaching and American literature from North Carolina State University in Raleigh. In addition to her work for Triangle Arts and Entertainment, she is an award-winning author of short fiction. Her works have appeared in The Colton Review, Raleigh Quarterly, Broken Plate Magazine, Big Muddy: A Journal of the Mississippi River Valley, the Chaffey Review, and Existere. To read all of Susie Potter’s Triangle Arts and Entertainment articles and reviews, click To read more of her writings, click and

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Categorised in: A&E Theatre Reviews, Lead Story, Reviews

3 Responses

  1. I went to see “Laughter” on the 24th of January and I thoroughly enjoyed the show. The actors were wonderful and made their characters believable. I have to take issue, however, with a couple of things you wrote in this article.
    One, in your second paragraph when you describe the myriad of characters we meet in the show you mentioned a “straightforward Russian immigrant Ira (Larry Evans)”, you listed the wrong cast member. Mikey West played Val, the Russian immigrant and Larry Evans played Ira the hypochondriac.
    Also, at the end of your fifth paragraph you state “Ladue also does a good job with his comic role- garnering huge laughs, thanks in large part to his flawless execution of a thick Russian accent”. Again, Laude did not play Val (the Russian). Laude played Brian the chain smoking Irish immigrant.
    While I enjoyed this article, and your opinion of the play, I felt the need to correct you on those factual errors. While I’m sure the actors in “Laughter on the 23rd Floor” will appreciate the review you have posted, I would also imagine they would appreciate receiving the proper credit for their hard work and dedication.

  2. Thanks for reviewing the show, we are so glad you enjoyed it! Just want to point out that it was Mikey West who played the part of Val, the Russian emigre and head writer, and Larry Evans played the part of Ira, the hypochondriac and habitually late writer. Ryan LaDue played Brian, the Irish-American, chain-smoking member of the writing team.

  3. I enjoyed the play quite a bit. Interesting casting choice on having an African American play a Jewish character. Funny you should mention the Dick Van Dyke show, because Carl Reiner along with Neil Simon, Mel Brooks, et al wrote for Sid Caesar and based the Van Dyke show on his experience. Alan Brady was modeled after Caesar (Max) and Rob Petrie could easily have been the Lucas character. The “token female” character in the play was The Sally Rodgers character on the Van Dyke show.