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Dominique Morisseau’s Skeleton Crew Shines Due to Strongly-Written Characters

PlayMakers Rep will stage Dominique Morisseau's Skeleton Crew Oct. 10-12, 14, 16-21, and 23-28 in UNC-Chapel Hill's Paul Green Theatre

PlayMakers Rep will stage Dominique Morisseau’s Skeleton Crew on Oct. 14, 16-21, and 23-28 in the Paul Green Theatre in the University of North Carolina at Chapel Hill’s Joan H. Gillings Center for Dramatic Art

PlayMakers Repertory Company has always been committed to presenting distinctive voices and world views on its stage. It’s fitting then that the company has chosen to stage Dominique Morisseau’s “Skeleton Crew,” a play, under the direction of Valerie Curtis-Newton, that turns its sharp view onto a small group of people working in a dwindling auto stamping plant in Detroit near the start of the Great Recession.

Via Jan Chambers’ crumbling, somewhat dilapidated breakroom set, viewers are introduced into the harsh but honest worlds of four key characters. There’s Reggie (Samuel Ray Gates), the boss who is trying to keep his employees in line but maintain his view of them as real people at the same time. There’s also rough-around-the-edges Dez (Alex Givens), who has big dreams for the future and a somewhat rebellious nature that may stand in his way. Equally rebellious is long-time worker Faye (Kathryn Hunter-Williams), who holds the whole crew, including pregnant, intelligent, and oh-so-sassy Shanita (Shanelle Nicole Leonard), together.

As these characters live and breathe onstage, it soon becomes obvious that Morisseau has not skimped in character development. Each of her characters is strong in their own right, well-written, and thoroughly believable and engaging, despite their imperfections. Her characters also share a genuine warmth and chemistry that enables each one to be all the more likeable.

Viewers get up close and personal with the struggles, signs and rules, and hardships that make up the lives of these characters. Gritty and honest, their conversations, featuring perfectly written and paced dialogue are not the stuff of fairy tales. But, they are very real and do a thorough job of representing an often underrepresented, at least in a real way, population.

While the characters’ complexity, struggles, and day to day conversations would be enough on their own, Morisseau ups the intensity by having Reggie reveal to Faye that the plant will soon be closing. Both of them now burdened by this knowledge, their interactions with the other characters become even more intense and fascinating to watch.

Hunter-Williams makes for a wonderfully stubborn, strong-willed Faye, one whom the audience is sure to root for. She is backed by Givens’ surprisingly sweet and charming portrayal of Dez and Leonard’s standout performance as Shanita. Leonard takes a character who could easily fade into the background or provide mere comic relief if not portrayed correctly and makes her one of the most important and binding characters in the play. Likewise, Gates does much with his role, creating a “boss” who is multi-layered, multi-dimensional, and surprisingly vulnerable.

From its climactic first-act ending all the way to the revealing, bittersweet end, this production invites viewers into a small corner of the world and asks them to reflect on what they see there. Dancing gracefully with themes of poverty, loss, work, self-value, and identity as related to career, Morisseau has put together an interesting and unforgettable tableau, brought beautifully to life by Curtis-Newton and crew.

PlayMakers Repertory Company presents SKELETON CREW at 2 p.m. Oct. 14, 7:30 p.m. Oct. 16-19, 2 and 7:30 p.m. Oct. 20, 2 p.m. Oct. 21, 7:30 p.m. Oct. 23-27, and 2 p.m. Oct. 28 in the Paul Green Theatre in the Joan H. Gillings Center for Dramatic Art, 150 Country Club Rd., Chapel Hill, NC 27514, on the University of North Carolina at Chapel Hill campus.

TICKETS: $15-$48 ($10 UNC students and $12 other college students), with discounts for UNC faculty and staff and U.S. military personnel, except $15 general admission ($10 for UNC students with ID) on Community Night (Tuesday, Oct. 16th).

BOX OFFICE: 919-962-PLAY, prcboxoffice@unc.edu, or https://tickets.playmakersrep.org/.

GROUP RATES (15+ tickets): 919-962-PLAY (7529), prcboxoffice@unc.edu, or http://www.playmakersrep.org/box-office/groups-and-special-events/.

SHOW: http://playmakersrep.org/show/skeleton-crew/ and https://www.facebook.com/events/2207447996197851/.

VIDEO PREVIEW: https://www.facebook.com/playmakersrep/videos/499965020482331/.

PRC NEWS RELEASE: http://playmakersrep.org/press/playmakers-repertory-company-presents-dominique-morisseaus-skeleton-crew/.

2018-19 SEASON (Shifting Ground: Theatre That Moves): http://playmakersrep.org/season/2018-2019/

PRESENTER: http://www.playmakersrep.org/, https://www.facebook.com/playmakersrep, https://twitter.com/playmakersrep, http://en.wikipedia.org/wiki/PlayMakers_Repertory_Company, and http://www.youtube.com/user/PlayMakersRep.

PRC BLOG (Page to Stage): http://playmakersrep.blogspot.com/.

\VENUE: http://playmakersrep.org/aboutus/paulgreen.

DIRECTIONS/PARKING: http://playmakersrep.org/visitorinfo.

NOTE 1: All shows are wheelchair accessible, and assistive-listening devices will be available at all performances.

NOTE 2: There will be an All-Access Performance, with sign-language interpretation and audio description by Arts Access, Inc. of Raleigh, at 7:30 p.m. on Tuesday, Oct. 16th.

NOTE 3: There will be FREE post-show discussions, with members of the cast and creative team, following the show’s 7:30 p.m. Wednesday, Oct. 17th, and 2 p.m. Sunday, Oct. 21st, performances.

NOTE 4: There will be an Open Captioning Performance at 2 p.m. on Saturday, Oct. 20th (for more information, click here).

OTHER LINKS:

Skeleton Crew (2016 Off-Broadway play): https://www.samuelfrench.com/p/60200/skeleton-crew/ (Samuel French, Inc.), http://www.lortel.org/Archives/Production/6148 (Internet Off-Broadway Database), and https://en.wikipedia.org/wiki/Dominique_Morisseau#Skeleton_Crew (Wikipedia).

Study Guides: https://actorstheatre.org/wp-content/uploads/2017/11/Skeleton-Crew-Play-Guide.pdf (Actors Theatre of Louisville) and https://atlantictheater.org/wp-content/uploads/2015/04/SC-Study-Guide_v3.pdf (Atlantic Theater Company of New York City).

Dominique Morisseau (Detroit, MI-born actress, playwright, screenwriter, and poet): http://dominiquemorisseau.com/ (official website), https://playmakersrep.org/artists/dominique-morisseau/ (PlayMakers Rep bio), http://www.lortel.org/Archives/CreditableEntity/42109 (Internet Off-Broadway Database), https://www.imdb.com/name/nm7822943/ (Internet Movie Database), https://www.facebook.com/dominique.morisseau (Facebook page), https://twitter.com/domorisseau (Twitter page), and https://en.wikipedia.org/wiki/Dominique_Morisseau (Wikipedia).

Valerie Curtis-Newton (Seattle, WA director and head of Performance – Directing at the University of Washington School of Drama): http://www.valeriecurtisnewton.com/ (official website), https://playmakersrep.org/artists/valerie-curtis-newton/ (PlayMakers Rep bio), https://www.imdb.com/name/nm6518092/ (Internet Movie Database), https://www.facebook.com/valerie.curtisnewton (Facebook page), and https://twitter.com/valcn (Twitter page).

REVIEWER:

Susie Potter is a Raleigh, NC-based freelance writer and editor. She is a 2009 graduate of Raleigh’s Meredith College, where she majored in English. She holds graduate degrees in teaching and American literature from North Carolina State University in Raleigh. In addition to her work for Triangle Arts and Entertainment, she is an award-winning author of short fiction. Her works have appeared in The Colton Review, Raleigh Quarterly, Broken Plate Magazine, Big Muddy: A Journal of the Mississippi River Valley, the Chaffey Review, and Existere. To read all of Susie Potter’s Triangle Arts and Entertainment articles and reviews, click http://triangleartsandentertainment.org/author/susie-q/. To read more of her writings, click http://www.triangleartsreview.com/, http://www.susiepotter.com, and http://www.myspace.com/susiepotter.

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Categorised in: A&E Theatre Reviews, Lead Story, Reviews