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“The Woman in Black” Stage-to-Screen Review: Fear and Loathing at Eel Marsh House!(0)
Raleigh Little Theatre artistic director Haskell Fitz-Simons directed a spine-tingling stage production of “The Woman in Black” last October, so he is intimately familiar with the story and the special effects that might be employed to keep audiences jumping. This critique of “The Woman in Black” is the first of a series of Stage-to-Screen Reviews that Triangle Theater Review will publish from time to time.
Full Story»Green Day’s 2009 Punk Rock Opera, “American Idiot,” Really Rocks Raleigh Memorial Auditorium
Tony Award®-winning scenic designer Christine Jones’ splendid multilevel warehouse-interior set for “American Idiot” is festooned with the unblinking eyes of dozens of TVs, punctuating the proceedings with news footage circa 2004, saucy MTV-style video snippets, and live shots of the cast. This show won’t just have Generation Y slackers tapping their feet and dancing in their seats; it has a much broader appeal that even Baby Boomers can appreciate.
Reader’s Review Green Day’s American Idiot
Hear what viewers have to say about this epic rock musical.
PRC’s Joseph Haj and Mike Donahue Will Co-direct “The Making of a King: ‘Henry IV’ and ‘Henry V’”
PlayMakers Repertory Company producing artistic director Joseph Haj and freelance director Mike Donahue, based in New York City, will co-direct an ambitious epic Shakespearean production called “The Making of a King: ‘Henry IV’ & ‘Henry V’” — two historical dramas performed in rotating repertory — from Jan. 28th to March 4th on the thrust stage of the 500-seat Paul Green Theatre.
More in this category
- Ebony and Ivory, Part II: “Memphis” Rocks DPAC
- 2010 Tony Award®-Winning Rock Musical “Memphis” Will Delight DPAC Patrons on Jan. 24-29
- Young Matthew Hager and Caitlin Davis Give Poignant Performances in “Mary’s Wedding” at Burning Coal
- Comedian, Actor, Author, and Ph.D. Bill Cosby Returns to DPAC for Two Shows on Jan. 21st
- Comedienne and “Wait Wait … Don’t Tell Me” Smart- Aleck Paula Poundstone Plays Durham on Jan. 20th
- “Rain: A Tribute to The Beatles” Will Reprise the Fab Four’s Greatest Hits on Jan. 17th and 18th at DPAC
- In Stephen Massicotte’s Dream Play “Mary’s Wedding,” World War I Separates Two Lovers
- Nilaja Sun Shines in No Child…
- Nilaja Sun Will Perform “No Child…,” Her Provocative Play About Public Education, at UNC-Chapel Hill
- Ian Finley Region’s 2012 Piedmont Laureate
- Rob Kapilow Joins North Carolina Symphony for “Green Eggs and Ham,” Jan. 7
- You Gotta Have a Gimmick: And “Henry V” Soars on Low-Flying Trapezes at Burning Coal Theatre
- PlayMakers’ Stellar Cast Juggles Truth and Illusion in Edward Albee’s “Who’s Afraid of Virginia Woolf?”
- Ira David Wood III Returns as Scrooge in TIP’s Madcap Musical Version of “A Christmas Carol”
- Light and Lively: “A Christmas Story: The Musical” Is an Early Christmas Present for Triangle Theatergoers
- Five-City Tour of “A Christmas Story: The Musical” Hopes to Score a Bull’s Eye in Raleigh, NC
- Percussion/Dance Sensation “Stomp” Returns to Raleigh Memorial Auditorium on Nov. 18-20
- Joyeux Noël: The “Radio City Christmas Spectacular®” Truly Is Spectacular
- “Radio City Christmas Spectacular” Brings Christmas — and The Rockettes — to DPAC on Nov. 10-27
- “The Parchman Hour” Is an Episodic But Eloquent 50th-Anniversary Tribute to the 1961 Freedom Riders
- The Gate Theatre of Dublin Will Present “Watt” and “Endgame,” Two One-Act Plays by Samuel Beckett
- Sing It Loud: “Rock of Ages” Rocks DPAC
- Don’t Cry for NCT: “Evita” Is a Dazzler
- Lauren Kennedy and Ray Walker Will Reprise Their Roles as Eva Perón and Ché Guevara in “Evita” at NCT
- Carolina Ballet’s Dracula: Not your grandmother’s ballet
- RLT’s Halloween Spooktacular, “The Woman in Black,” Gives the Audience Goosebumps




