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“The Woman in Black” Stage-to-Screen Review: Fear and Loathing at Eel Marsh House!(0)

February 3, 2012

Raleigh Little Theatre artistic director Haskell Fitz-Simons directed a spine-tingling stage production of “The Woman in Black” last October, so he is intimately familiar with the story and the special effects that might be employed to keep audiences jumping. This critique of “The Woman in Black” is the first of a series of Stage-to-Screen Reviews that Triangle Theater Review will publish from time to time.

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Green Day’s 2009 Punk Rock Opera, “American Idiot,” Really Rocks Raleigh Memorial Auditorium

Tony Award®-winning scenic designer Christine Jones’ splendid multilevel warehouse-interior set for “American Idiot” is festooned with the unblinking eyes of dozens of TVs, punctuating the proceedings with news footage circa 2004, saucy MTV-style video snippets, and live shots of the cast. This show won’t just have Generation Y slackers tapping their feet and dancing in their seats; it has a much broader appeal that even Baby Boomers can appreciate.

Reader’s Review Green Day’s American Idiot

Hear what viewers have to say about this epic rock musical.

PRC’s Joseph Haj and Mike Donahue Will Co-direct “The Making of a King: ‘Henry IV’ and ‘Henry V’”

PlayMakers Repertory Company producing artistic director Joseph Haj and freelance director Mike Donahue, based in New York City, will co-direct an ambitious epic Shakespearean production called “The Making of a King: ‘Henry IV’ & ‘Henry V’” — two historical dramas performed in rotating repertory — from Jan. 28th to March 4th on the thrust stage of the 500-seat Paul Green Theatre.


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