The Carolina Ballet’s version of Handel’s Messiah, which opened on Nov. 22nd and runs for four more performances on Nov. 24-26 in Raleigh Memorial Auditorium is a brilliant representation of the arts of dance, music, art, literature. This holiday tour de force, directed and choreographed by Robert Weiss, with assistance from choreographers Timour Bourtasenkov, Amy… Continue reading The Carolina Ballet’s Messiah Is Stunning
Carolina Ballet is opening their 17th season with a fabulous mixed bill: a beautifully diverse program that shows the company’s range. The show opens with a ballet by newly appointed choreographer in residence, Zalman Raffael, followed by a new piece by Artistic Director Dr. Robert Weiss, and finishes flamboyantly with the headliner, Firebird, also choreographed… Continue reading Two choreographers complement and contrast at Carolina Ballet’s “Firebird”
I went to see Carolina Ballet‘s Sleeping Beauty on opening night Thursday, and I liked it so much I’m going back Saturday. Both the dancers and the orchestra had a few missteps Thursday, a refreshing reminder that these skilled and practiced artists are humans performing live. It was, overall, a remarkable performance of fast and… Continue reading Carolina Ballet Ends Big with “Sleeping Beauty”
I had misgivings upon learning that Carolina Ballet’s production of Romeo & Juliet would be presented in the A. J. Fletcher Opera Theater instead of Raleigh Memorial Auditorium. After all, this is a full-length ballet, which typically calls for a large cast, multiple scene changes, and dancing on a grand scale. The choice of venue… Continue reading The Carolina Ballet’s Marcelo Martinez Is an Ardent Romeo and Lara O’Brien Is a Winsome Juliet
Lara O’Brien is as light as a feather in her moving performance of Juliet in Carolina Ballet’s Romeo and Juliet, which opened tonight in Raleigh and runs through March 30.