Tag: Fletcher Opera Theater
Some friendships are lifelong. Some friendships are incredibly complicated. And, some rare friendships are both of these things. It is one of these rare types of friendships that is showcased in A.R. Gurney’s Love Letters, onstage now through North Carolina Theatre under the direction of Guy Stroman. Gurney’s show is a unique one. Instead of… Read More ›
North Carolina Theatre‘s production of A.R. Gurney’s Love Letters is a sensual and literary feast for anyone who has treasured a handwritten letter from a person whom they have admired. This two-character show, which stars Sandy Duncan and Ira David Wood III and runs Jan. 12-14 and 16-21 in Raleigh’s A.J. Fletcher Opera Theater, employs… Read More ›
On Jan. 12-14 and 16-21, North Carolina Theatre will ring in the New Year, in grand style, with a megawatt production of Buffalo, NY-born playwright A.R. Gurney’s two-character 1988 New York Public Library, 1989 Off-Broadway, and 1989 Broadway play, Love Letters, starring 71-year-old Broadway and Off-Broadway, television, and motion-picture actress Sandy Duncan and 70-year-old Enfield,… Read More ›
Celebrate Halloween with Carolina Ballet’s Spooky Legend of Sleepy Hollow & Other Haunted Tales in Fletcher Opera Theater
The Carolina Ballet is officially my favorite destination in the Triangle for a classy, artistic, gorgeous version of the usually icky, spooky, gross Halloween festivities. This year’s choice to celebrate their 20th anniversary season with three appropriate yet not-the-usual-Dracula ballets is a great one, and the nearly full house for The Legend of Sleepy Hollow… Read More ›
Old and New Carolina Ballet Stars Twinkle Brightly in The Ugly Duckling and Three Other Ballets in A.J. Fletcher Opera Theater
The 20th season of the Carolina Ballet of Raleigh, NC might prove to be its most interesting one yet, artistic director Robert Weiss told the audience on opening night of The Ugly Duckling. “We have a mix of new and old,” he reported. Ballets in the 2017-18 season include the gorgeous Weiss-choreographed Messiah; the Valentine’s… Read More ›
I had forgotten how much fun it is to listen to Mozart! I am by no means an opera buff, but I can readily testify that the North Carolina Opera’s production of The Marriage of Figaro, co-produced with Opera Saratoga and performed at Raleigh’s A.J. Fletcher Opera Theater), is an unqualified success. Whether performed by… Read More ›
In the land of basketball and BBQ, it is easy to forget that North Carolina also has a notable ballet company. Carolina Ballet’s production of Lynne Taylor-Corbett’s The Little Mermaid, running Feb. 2-19 in the A.J. Fletcher Opera Theater in Raleigh, will delight the young and the young at heart, with its cartoon colors, stunning… Read More ›
The littlest mermaids were not necessarily on stage Thursday night when the Carolina Ballet premiered its latest ballet of the season, The Little Mermaid, based on the fairy tale by Hans Christian Andersen. Little girls in fancy dresses, tutus, and tiaras filled the seats at Raleigh’s A.J. Fletcher Opera Theater to see (and hear!) one… Read More ›
Friday night, there were a lot of Patsy Cline fans enjoying award-winning actresses Sally Struthers and Carter Calvert in the North Carolina Theatre‘s production of Always… Patsy Cline, which opened on Jan. 20th in Raleigh’s A.J. Fletcher Opera Theater. It is not surprising that the show appeals to Cline’s loyal fans, but I urge you… Read More ›
Sally Struthers and Carter Calvert Will Star in Ted Swindley’s 1997 Off-Broadway Hit, Always… Patsy Cline, on Jan. 20-29 at NCT
Broadway and national and international tour veteran Carter Calvert (It Ain’t Nothin’ But the Blues) and fellow Broadway veteran Sally Struthers, who won the Primetime Emmy Award for Outstanding Supporting Actress in a Comedy or Comedy-Variety or Music Series in 1972 and 1979 for playing Gloria Bunker Stivic in Norman Lear’s groundbreaking CBS television sitcom… Read More ›
Opening night for the ballet means you’re in for a treat, and Robert Weiss’ phenomenal Carolina Ballet didn’t disappoint on Sept. 15th, with the world premiere of choreographer Zalman Raffael’s La Mer. The lovely principal ballerina Lara O’Brien welcomed the audience with the reminder that the Carolina Ballet creates more original ballets each year than… Read More ›
Founded in 2013, Asheville, NC’s Fox & Beggar Theater performs what the company calls “dreampunk cirque nouveau.” This is no Cirque du Soleil. It’s better. F&BT focuses its energy on storytelling — dark stories told through dance, acrobatics, puppetry, music, and animation — rather than spectacle for its own sake. Fox & Beggar Theater’s latest… Read More ›
In theatre, things don’t always go as expected, but, as the old saying goes, “the show must go on.” This mantra certainly proved true in the case of North Carolina Theatre’s production of Wit, for which the original leading lady, Judy McLane, bowed out of the role before opening night, citing personal reasons. Fortunately, the… Read More ›
Nobody does English lit professor-turned-ovarian cancer patient Vivian Bearing, Ph.D., better than New York actress Kate Goehring, who stepped into the role in the North Carolina Theatre‘s current production of Wit literally at the 11th hour as a last-minute replacement for Broadway actress Judy McLane, who bowed out for “personal reasons,” according to NCT. But… Read More ›
The North Carolina Theatre‘s April 29-May 1 and May 3-8 production of Atlanta, GA playwright and teacher Margaret Edson’s 1999 Pulitzer Prize-winning play, Wit, will star New York actress Kate Goehring as cancer patient Vivian Bearing, Ph.D., and 1991 Tony Award® winner Daisy Eagan as her primary nurse, Susie Monahan, RN, BSN. Goehring, who earned… Read More ›
North Carolina Theatre, the region’s premier nonprofit professional regional theatre, today announced a cast change for Margaret Edson’s Wit, opening April 29th. Kate Goehring will step into the lead role of “Vivian Bearing, Ph.D.” replacing Judy McLane, who has withdrawn from the production due to personal reasons.
Carolina Ballet artistic director and choreographer Robert Weiss has created a Shakespearean theme this year to honor William Shakespeare on the 400th anniversary of his death on April 23, 1616; and the latest ballet showcases another of The Bard of Avon’s great plays: The Tempest. Accompanying the nod to the master’s Tempest is a new… Read More ›
What better way to celebrate love during this month of the year than with William Shakespeare’s Romeo and Juliet, his sonnets, coupled with the Symposium, linked dances based on discussions of the various elements of love? Robert Weiss’ Carolina Ballet did all that and much more with their current triumph, Love Speaks, choreographed by guest… Read More ›
Carolina Ballet’s artistic director Robert Weiss and choreographer-in-residence Zalman Raffael have done it again with Symphonie Fantastique: Un Bal. Another world premiere hit the stage at the A.J. Fletcher Opera Theater on opening night, Oct. 8th, showcasing two movements from Hector Berlioz’s Symphonie Fantastique, as well as the Piano Concerto No. 2 in A Major… Read More ›
On Thursday, Oct. 9th, Carolina Ballet ushered in the season of ghosts and ghouls with its elegant and eerie production of Dracula, presented in the A.J. Fletcher Opera Theater in downtown Raleigh, NC. Skillfully choreographed by Lynne Taylor-Corbett, the ballet features J. Mark Scearce’s suspenseful score, David Heuvel’s always-luscious costume designs, impressive lighting effects by… Read More ›
On Oct. 9th, plague and vampires came to the A.J. Fletcher Opera Theater in Raleigh via the guise of the Carolina Ballet, and they will stay to seduce audiences and produce passionate performances until Oct. 26th. The two ballets, based on classic horror stories written by Edgar Allan Poe (The Masque of the Red Death)… Read More ›
From Sept. 11th to 28th, the Carolina Ballet offered three balletic jewels to enraptured audiences in the A.J. Fletcher Opera Theater in Raleigh, NC. Few realize the true gem Raleigh has under Robert Weiss’ artistic direction. With 17 years at the helm of the Carolina Ballet, one would believe that he would be slowing down… Read More ›
Carolina Ballet’s Production of “The Firebird” Was Very Pleasing to Watch and Very Beautifully Danced
Carolina Ballet opened its 2014-15 season with a mixed repertory evening anchored by Firebird, set to Igor Stravinsky’s iconic score of the same name. The performance, presented at the A.J. Fletcher Opera Theater in downtown Raleigh, also featured two new ballets: a Brahms piece choreographed by Carolina Ballet’s new choreographer-in-residence, Zalman Raffael, and another Stravinsky… Read More ›
Hot Summer Nights | Theatre Raleigh will end its sizzling Summer of Hits with its second annual summer-season-ending musical revue, “Oh What a Night! II,” directed and choreographed by Broadway star and Raleigh native Lauren Kennedy, on Aug. 31-Sept. 2 in the A.J. Fletcher Opera Theater in the Progress Energy Center for the Performing Arts in downtown Raleigh, NC.
We’re thrilled to announce our exciting 2011-2012 season!
Season subscriptions are also on sale now!
The North Carolina Opera’s production of Giacomo Puccini’s Tosca presents the tragic tale with a surprising amount of humor and heart, successfully updating an old classic for modern audiences.
Since 1941, this series has presented many of the world’s greatest chamber ensembles and artists to the greater Raleigh area. Recognized for its high quality and diversity, the Masters Series includes both young, cutting edge groups as well as established, traditional ensembles.
Raleigh Dance Theatre Observes Observes 25th Anniversary with Gala Performance and Celebration | Mar 20
As part of the weekend celebration RDT has planned an alumni gathering Friday evening, a gala party on Saturday following the performance, and an alumni ballet class on Sunday.
During Marcelo Martinez’s final season with the Washington Ballet in 2007, Washington Post Staff writer Sarah Kaufman observed, “(he is) an underused dancer with flamboyant technique and a sweet crooked smile.” The latter two descriptors are still true, the first is not: Martinez is no longer underused. He joined Carolina Ballet for its 10th season… Read More ›
In the wake of the devastation that rocked the nation of Haiti three weeks ago, the dancers of Carolina Ballet would like to help the nation rebuild. In an effort to raise funds for the people of Haiti, Carolina Ballet is opening its doors for an open studio rehearsal of Cinderella on Sunday, February 14,… Read More ›