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Tag: Kathryn Hunter-Williams

Edward O'Blenis (right) stars as Richmond in Count (photo by HuthPhoto)

Count’s Six Highly Skilled Actors Create a Chillingly Real Death-Row Pod at PRC

A couple of interesting statistics before we get started: there are about 2,843 people on death rows in the United States, including 154 of them in North Carolina and 63 of them in Federal prisons. In 2016, according to a May 2017 article published by The Sentencing Project of Washington, DC, there were 162,000 people… Read More ›

PlayMakers Rep mainstay Jeffrey Blair Cornell (left) stars as Maine in Count (photo by HuthPhoto)

Lynden Harris’ Count Is an Engaging New Play, Set on a Maximum-Security Prison’s Death Row

Last night, PlayMakers Repertory Company opened its 2017-18 season with Count: Stories from America’s Death Rows, an engaging new play written by Lynden Harris and directed by Kathryn Hunter-Williams. This world premiere is a PRC2 second-stage production in the Elizabeth Price Kenan Theatre on University of North Carolina at Chapel Hill campus. Count, which is… Read More ›

The cast of Count by Lynden Harris includes (from left) Chris Berry as Kansas City, Richard McDonald as Whitehouse, Gil Faison as Brownsville, and Brian D. Coates as Long Beach (photo by HuthPhoto)

On Aug. 23-27, Lynden Harris’ Count Will Depict a Day in the Life of Six Men on Death Row

PlayMakers Repertory Company will kick off its 2017-18 season on Aug. 23-27 with a world-premiere PRC2 second-stage production of Count: Stories from America’s Death Rows, written by Hidden Voices founder Lynden Harris, directed by PlayMakers Rep veteran Kathryn Hunter-Williams, and co-produced with Hidden Voices, which describes itself on its website as “a radically inclusive, participatory,… Read More ›

Mark Perry’s “The Will of Bernard Boynton” Is a Must-See Family Drama at UNC-Chapel Hill

There is something particularly special about the opening night of a brand-new play. These characters, these situations, these thoughts, these feelings -– they have never been performed for the public prior to tonight. Thursday night’s performance of the Kenan Theatre Company’s world-premiere production of Mark Perry’s The Will of Bernard Boynton was no exception. We… Read More ›

Mike Wiley (left) as community redeveloper and would-be Pittsburgh mayoral candidate Harmond Wilks and Warren Keyes as Elder Joseph Barlow (photo by Jonathan Young)

August Wilson’s Last Play, “Radio Golf,” Proves to Be a Splendid Season-Opener for Deep Dish Theater

African-American playwright August Wilson’s last play, “Radio Golf” (2005), set in 1997 in the poverty-stricken Hill District of Pittsburgh, PA, proves to be a splendid season-opener for Deep Dish Theater Company, thanks to superb staging by guest director Kathryn Hunter-Williams and the compelling characterizations of an unusually energetic and expressive acting ensemble, led by critically acclaimed Raleigh actor, director, and dramatist Mike Wiley.

Mike Wiley (left) as community redeveloper and would-be Pittsburgh mayoral candidate Harmond Wilks and Warren Keyes as Elder Joseph Barlow (photo by Jonathan Young)

Deep Dish Theater Company Kicks Off Season 12 Aug. 24th with August Wilson’s Final Play, “Radio Golf”

Deep Dish Theater Company will kick off its 12th season at University Mall with African-American playwright August Wilson’s final play, Radio Golf, set in 1997 in the office of a community-redevelopment business in the Hill District of Pittsburgh, PA, from Aug. 24th to Sept. 15th. UNC-Chapel Hill Department of Dramatic Art faculty member and PlayMakers Repertory Company mainstay Kathryn Hunter-Williams will direct this comedic drama about the high price of progress in the black community.