I must admit that I have never read Homer’s Odyssey, but I love the Coen Brothers’ film adaptation, O Brother, Where Art Thou? (2000). Maybe that sentiment cheapens the structure and framework of PlayMakers Repertory Company’s world-premiere production of playwright and performer Ellen McLaughlin’s vivid and entrancing new work, Penelope, now playing in the Elizabeth… Continue reading A Modern-Day Odysseus Returns Home from a War, with PTSD, in Ellen McLaughlin’s “Penelope”