Tag: Marcelo Martinez
The Carolina Ballet’s version of Handel’s Messiah, which opened on Nov. 22nd and runs for four more performances on Nov. 24-26 in Raleigh Memorial Auditorium is a brilliant representation of the arts of dance, music, art, literature. This holiday tour de force, directed and choreographed by Robert Weiss, with assistance from choreographers Timour Bourtasenkov, Amy… Read More ›
Carolina Ballet is opening their 17th season with a fabulous mixed bill: a beautifully diverse program that shows the company’s range. The show opens with a ballet by newly appointed choreographer in residence, Zalman Raffael, followed by a new piece by Artistic Director Dr. Robert Weiss, and finishes flamboyantly with the headliner, Firebird, also choreographed… Read More ›
I had misgivings upon learning that Carolina Ballet’s production of Romeo & Juliet would be presented in the A. J. Fletcher Opera Theater instead of Raleigh Memorial Auditorium. After all, this is a full-length ballet, which typically calls for a large cast, multiple scene changes, and dancing on a grand scale. The choice of venue… Read More ›
Lara O’Brien is as light as a feather in her moving performance of Juliet in Carolina Ballet’s Romeo and Juliet, which opened tonight in Raleigh and runs through March 30.
There’s no B side to the Carolina Ballet’s current program and double debut of original work.
The Nutcracker is a magical ballet about a little girl, Clara, whose family hosts a Christmas party. Throughout the ballet, toys, snowflakes, sweets and flowers come to life. Clara receives princess treatment as they guide her out of her 1800’s home somewhere in Europe and through enchanted lands. The ballet begins with the Party, during… Read More ›
The five ballets by George Balanchine that are part of Carolina Ballet’s Rubies program are humorous, sensual, dramatic, playful, and never trite, even when venturing into stories of love triangles and dancing dolls. Raymonda Variations, a collection of dances to music of Alexander Glazounov, was a striking visual treat, with gorgeous aqua-colored costumes against a… Read More ›
Opening night of An Evening of Robert Weiss demonstrated that as they begin their 15th anniversary season, Carolina Ballet will continue to keep audiences interested, entertained and educated. Dr. Robert Weiss, founding artistic director of Carolina Ballet, has created more than 45 pieces for the company in the last decade and a half, from short… Read More ›
Carolina Ballet’s Dracula has all the elements of a big screen blockbuster: action, drama, suspense, gore, and sex. But it also has all the elements of a great classical ballet. Like Swan Lake and Sleeping Beauty, Carolina Ballet’s Dracula is a well told story with timeless appeal. Dracula is preceded by the opening ballet,… Read More ›
During Marcelo Martinez’s final season with the Washington Ballet in 2007, Washington Post Staff writer Sarah Kaufman observed, “(he is) an underused dancer with flamboyant technique and a sweet crooked smile.” The latter two descriptors are still true, the first is not: Martinez is no longer underused. He joined Carolina Ballet for its 10th season… Read More ›