Carolina Ballet is opening their 17th season with a fabulous mixed bill: a beautifully diverse program that shows the company’s range. The show opens with a ballet by newly appointed choreographer in residence, Zalman Raffael, followed by a new piece by Artistic Director Dr. Robert Weiss, and finishes flamboyantly with the headliner, Firebird, also choreographed… Continue reading Two choreographers complement and contrast at Carolina Ballet’s “Firebird”
I had misgivings upon learning that Carolina Ballet’s production of Romeo & Juliet would be presented in the A. J. Fletcher Opera Theater instead of Raleigh Memorial Auditorium. After all, this is a full-length ballet, which typically calls for a large cast, multiple scene changes, and dancing on a grand scale. The choice of venue… Continue reading The Carolina Ballet’s Marcelo Martinez Is an Ardent Romeo and Lara O’Brien Is a Winsome Juliet
Lara O’Brien is as light as a feather in her moving performance of Juliet in Carolina Ballet’s Romeo and Juliet, which opened tonight in Raleigh and runs through March 30.
There’s no B side to the Carolina Ballet’s current program and double debut of original work.
To set out to choreograph and dance the greatest story ever told would seem like a daunting task, particularly when that story is set to the grand music of George Frideric Handel’s Messiah. The success of Carolina Ballet’s Messiah (choreographed by director Robert Weiss) is in the subtle telling of the story. The story of… Continue reading Carolina Ballet Exalted