David Mamet’s “Race” at HSN Explores Perceptions That Divide White America from Black America

As he proved in “Oleanna” (1992), when he skewered Political Correctness in academia, infamously profane and famously profound Chicago playwright, screenwriter, and director David Mamet is fearless when it comes time to confronting hot-button issues. He is not only unafraid to gore some of society’s sacred cows — he gleefully makes cutlets out of them. In Hot Summer Nights and Theatre Raleigh‘s eyebrow-raising presentation of “Race” (2009), Mamet explores the vast gulf in perception that still divides White America from Black America, especially when it comes to allegations of white-on-black crime.

Lauren Kennedy Will Direct Her Husband, Tony Nominee Alan Campbell, in “Race” by David Mamet

Hot Summer Nights and Theatre Raleigh are staging an eye-opening R-rated drama on a timely but thorny topic — “Race” by David Mamet — on July 25-29 and Aug. 1-5 in the K.D. & Sara Lynn Kennedy Theatre in the Progress Energy Center for the Performing Arts in downtown Raleigh, NC. Chock-full of Mamet’s trademark profanity, “Race” frankly explores issues seldom discussed onstage.