Tag: The Justice Theater Project
The Justice Theater Project, well-known for their mission “to produce compelling theater experiences that create community dialogue and give voice to social concerns,” continues its “Equity and Identity” Season with Martin Sherman’s Bent, first produced in 1979 in London. It is performed from the stage of the Umstead Park United Church of Christ in Raleigh,… Read More ›
The Justice Theater Project’s current production of Charles Fuller’s 1982 Pulitzer Prize-winning drama, A Soldier’s Play, re-titled A Soldier’s Story as a movie, ends with the words “You’ll have to get used to black people being in charge,” which became fulfilled in 2008. It also kept the play from being produced on Broadway, according to… Read More ›
Justice Theater Project’s Version of The Gershwins’ Porgy and Bess Is a Must-See Show with a Wonderful and Talented Cast
The Justice Theater Project, headed up by Deb Royals, has been producing socially important entertainment for 12 years now. They never fail at both massive jobs — entertaining and driving home the various gaping inequities in American society. This season JTP’s theme, according to Kristi Vincent Johnson, chairperson of the theater’s board of directors, is… Read More ›
The Justice Theater Project’s rendition of The Gershwins’ Porgy and Bess, which concludes its two-week run on June 23-25 at the Umstead Park United Church of Christ in Raleigh, tells a hauntingly beautiful story, set in “Catfish Row,” a tenement in Charleston, SC. Porgy is a disabled beggar. Bess is a beautiful, sultry woman with… Read More ›
The Justice Theater Project is taking a risk with its current production of Zuccotti Park: The Musical. Their theme for the 2016-17 season is “Economic Justice”, with their mission statement being to provide professional theater with outreach, advocacy and education. Zuccotti Park appears to promote their mission; but unfortunately, through no fault of their own,… Read More ›
The Justice Theater Project of Raleigh is producing a daring production of a modern American play about immigration, police brutality, the nature of celebrity, political protests, and capitalism. These topics are fitting with the company’s focus on social justice. What is atypical, however, is that these topics are tackled in a musical. That musical is… Read More ›
The Justice Theater Project produces plays that point up relevant social issues. In the Triangle, the plight of our beloved Larry Stogner of WTVD, one year into the debilitating, progressive and incurable affliction amyotrophic lateral sclerosis (ALS), also known as Lou Gehrig’s disease, resonates in this production. The play was developed from Mitch Albom’s 1997… Read More ›
What if you could spend one day each week with a very dear and wise old friend — a friend who willingly mentors you and helps you deal with life? What a gift that would be! Mitch Albom had this gift fall into his lap, and he shares it with us. The script for the… Read More ›
The Justice Theater Project’s 2015-16 season opener, A Lesson Before Dying, directed by Deb Royals, is powerful, poignant, and well-executed (pun intended. The acting is simply superb! Set in Louisiana in the 1940s, Romulus Linney’s play is based on Ernest J. Gaines’ 1993 novel, which tells the final chapter in the life of a man… Read More ›
Alice Walker’s 1983 Pulitzer Prize and National Book Award for Fiction-winning novel The Color Purple.” was soon adapted to film. Re-adapted as a musical in 2004, with book by Marsha Norman music and lyrics by Brenda Russell, Allee Willis, and Stephen Bray, The Color Purple: The Musical has played around the country and elsewhere ever… Read More ›
The question asked in The Justice Theater Project’s production of Katori Hall’s 2009 two-character play The Mountaintop may well be “Can a flawed man lead society to the mountaintop it so desperately needs to climb?” We Americans love to find the feet of clay that our icons and idols stand on; but this play doesn’t… Read More ›
We find only one flaw in The Justice Theater Project’s production of Grey Gardens: The Musical, but we hope it will be corrected. We question the need for amplification of the performers at all, and unfortunately that was most noticeable in the case of Jeri Lynn Schulke, whom we could almost never understand when she… Read More ›
Wit by Margaret Edson is a tour-de-force play for a resilient and powerful actress, fleshed out with seven subordinate performers who are necessary to advance the plot. The Justice Theater Project’s cast does an excellent job of supporting their principal; and she, Rasool Jahan, fills the role completely. The story takes place during the last… Read More ›
William Shakespeare’s plays may be Public Domain, and therefore FREE to produce — and ruthlessly abridge — without paying royalties; but they are deceptively difficult to stage successfully. Not many community theaters in the Triangle or elsewhere have the capability to pull it off or a talent pool deep enough to communicate the power and poetry in the dialogue of the Immortal Bard’s timeless tragedies. Sadly, such is the case with The Justice Theater Project’s current ill-conceived and at times horribly miscast presentation of “The Tragedy of Julius Caesar.”
You could probably see them from space, David Henderson and John Honeycutt twinkle so brightly as the title characters in The Justice Theater Project’s stellar production of Peter Morgan’s 2006 historical drama “Frost/Nixon,” which will conclude its three-week run on Sept 14-16 and 21-23 in Clare Hall at the Catholic Community of St. Francis of Assisi in north Raleigh, NC.
JTP’s “Frost/Nixon” Stars David Henderson as David Frost and John Honeycutt as President Richard Nixon
In his 2006 historical drama, “Frost/Nixon,” London playwright and screenwriter Peter Morgan dramatizes events surrounding the series of 1977 television interviews about his presidency that former President Richard M. Nixon ultimately granted a persistent David Frost, whose secret hope was that Nixon would finally admit his involvement in the Watergate scandal. Was he or wasn’t he involved? You will have to see The Justice Theater Project’s presentation of “Frost/Nixon” to find out.
The Justice Theater Project of Raleigh, NC will conclude its 2011-12 season — dedicated to “Our Planet. Our People. Our Plight: Stewardship of the Environment” — with “Light on the Horizon,” a work-in-progress about the 2010 Deepwater Horizon disaster written and directed by JTP artistic director Deb Royals, on June 8-10, 15-17, and 22-24 in Clare Hall at the Catholic Community of Saint Francis of Assisi in Raleigh. The show will also feature original music by Diogenes Ruiz and Jim Wahl.
The Justice Theater Project (JTP) is currently accepting applications for the 15th summer of youth theater camps at Clare Hall on the Campus of St. Francis of Assisi, Leesville Road, Raleigh. Weeks of July 9, 26 and 23
JTP’s Multimedia Presentation of “Molly Daughter” Is a Cry from the Heart, But Sometimes Hard to Follow
Deb Royals-Mizerk, Renée Wimberley, and Alison Lawrence make all the women of “Molly Daughter” unforgettable — if at times indistinguishable — characters. The songs that they and musical director Coty Cockrell sing are moving cries from the heart; but in the end, “Molly Daughter” has too many women to keep them all straight, let alone remember which are which.
“I think casting is 95 percent of a successful show,” says “Molly Daughter” director Carnessa Ottelin. “Casting for me extends into the production team. The performance ensemble of Deb Royals-Mizerk, Renee Wimberley, and Alison Lawrence is absolute, perfect charisma. Coty Cockrell (on piano) and Jason Hedrick (on bass) come together as our beautiful band.”
The Justice Theater Project will kick off its 2011-12 season with the Tony Award®-winning 1991 Broadway musical “The Secret Garden,” with music by Lucy Simon and a book and lyrics by Marsha Norman, based on the beloved 1911 novel by Frances Hodgson Burnett, on Sept. 9-11, 16-18, and 23-25 in Clare Hall at the Catholic Community of St. Francis of Assisi in north Raleigh, NC.
Immediate. Intimate. A rethinking of an American standard. “Our Town”, by Thornton Wilder, presents a new aesthetic concept based on the current Off-Broadway production by David Cromer and the Barrow Street Theatre.
A MIDSUMMER NIGHT’S DREAM, JR. is a FREE hip-hop youth-theater version of the marvelous moonstruck comedy by English dramatist and poet William Shakespeare, performed at The Emily K Center in Durham by low-income and at-risk students
Five unmarried sisters in a small Irish village hope and dream of a better life, while music from their radio transforms and transports them. Winner of 3 Tony Awards.
Parallel stories of a fictional mill worker and the real life of silent screen star Clara Bow unfold against the explosive background of pre-depression 1929 America.