Tag: Yevgeny Shlapko
The Carolina Ballet’s version of Handel’s Messiah, which opened on Nov. 22nd and runs for four more performances on Nov. 24-26 in Raleigh Memorial Auditorium is a brilliant representation of the arts of dance, music, art, literature. This holiday tour de force, directed and choreographed by Robert Weiss, with assistance from choreographers Timour Bourtasenkov, Amy… Read More ›
Carolina Ballet is opening their 17th season with a fabulous mixed bill: a beautifully diverse program that shows the company’s range. The show opens with a ballet by newly appointed choreographer in residence, Zalman Raffael, followed by a new piece by Artistic Director Dr. Robert Weiss, and finishes flamboyantly with the headliner, Firebird, also choreographed… Read More ›
I went to see Carolina Ballet‘s Sleeping Beauty on opening night Thursday, and I liked it so much I’m going back Saturday. Both the dancers and the orchestra had a few missteps Thursday, a refreshing reminder that these skilled and practiced artists are humans performing live. It was, overall, a remarkable performance of fast and… Read More ›
I had misgivings upon learning that Carolina Ballet’s production of Romeo & Juliet would be presented in the A. J. Fletcher Opera Theater instead of Raleigh Memorial Auditorium. After all, this is a full-length ballet, which typically calls for a large cast, multiple scene changes, and dancing on a grand scale. The choice of venue… Read More ›
Lara O’Brien is as light as a feather in her moving performance of Juliet in Carolina Ballet’s Romeo and Juliet, which opened tonight in Raleigh and runs through March 30.
There’s no B side to the Carolina Ballet’s current program and double debut of original work.
To set out to choreograph and dance the greatest story ever told would seem like a daunting task, particularly when that story is set to the grand music of George Frideric Handel’s Messiah. The success of Carolina Ballet’s Messiah (choreographed by director Robert Weiss) is in the subtle telling of the story. The story of… Read More ›
Margaret Severin-Hansen and Gabor Kapin in Giselle When I watched the movie Casablanca for the first time I found I already had some familiarity with many iconic lines and scenes. Giselle may be the Casablanca of ballets. The romantic era ballet contains many of the images that have come to represent ballet, giving it an… Read More ›
Carolina Ballet‘s production of Balanchine Rarities, a program including 3 works by George Balanchine, Lost and Found by Lynne Taylor-Corbett, and Moving Life by Robert Weiss, opened to a nearly full house Thursday night, and I expect the house will stay full for the duration of its run. The program began with short ballets by… Read More ›
Carolina Ballet’s Dracula has all the elements of a big screen blockbuster: action, drama, suspense, gore, and sex. But it also has all the elements of a great classical ballet. Like Swan Lake and Sleeping Beauty, Carolina Ballet’s Dracula is a well told story with timeless appeal. Dracula is preceded by the opening ballet,… Read More ›