Bare Theatre Presents “Oh Sh!t, It’s Another Evening of One-Act Plays” at Common Ground Theatre

"Oh Sh!t, It's Another Evening of One-Act Plays" opens Feb. 17th
"Oh Sh!t, It's Another Evening of One-Act Plays" opens Feb. 17th
"Oh Sh!t, It's Another Evening of One-Act Plays" opens Feb. 17th
"Oh Sh!t, It's Another Evening of One-Act Plays" opens Feb. 17th

Raleigh, NC-based Bare Theatre concludes its sixth season with Oh Sh!t, It’s Another Evening of One-Act Plays, a program of four contemporary one-act plays, on Feb. 17-20 and 24-27 at Common Ground Theatre in Durham.

The plays include:

Little Boy Love Goat,” written by Carmen-maria Mandley and directed by Lucinda Gainey. Mandley says, “I was attracted to this show by the rich and poetic language of the script, the vivid imagery the characters use when describing the action and expressing their emotions. The play re-tells the story of Pan (Matt Fields) and Syrinx (Carmen-marie Mandley) through dialog and narration. The narration is provided by the three Fates (Missy Dapper, Ann Forsthoefel, and Heather J. Strickland) who observe, describe, and comment on the unfolding story. The main challenge for The Fates was to tell the story from a single perspective while developing their individuality as characters. We also needed to find the right balance between bringing excitement into the story without overshadowing the actions of Pan and Syrinx. For the actors playing Pan and Syrinx, the challenge was transversing the many colors of thought and feeling their characters go through during the course of the play; and keeping the shifts honest.”

Suspense,” written by Ian Finley and directed by Kathryn Milliken LeTrent. LeTrent says, “Everyone is a suspect and a victim in this farce of Victorian melodrama.”

The Mountain,” created by Todd Buker, Donna Rossi Youngblood, and Carmen-maria Mandley. Mandley says, “The life of a clown is not an easy one. They feel in extremes — joy, disappointment, shame, love. One man in his time plays many parts. Todd Buker, assisted by Carmen-maria Mandley and [with] creation assistance by Donna Rossi Youngblood, take one clown from the beginning of his time to where life takes him. The audience also plays a large part in this piece. Hopefully, [it is] one they will enjoy and take away with them and think about after the lights come down.”

The Shakespeare Zone,” written by the ensemble and directed by Matt Schedler, with Aaron Strickland as properties manager, Todd Buker as sound design, and Lucinda Gainey as stage manager. Schedler says, “The Shakespeare Zone is an original comedy written by the cast (Loren Armitage, Rebecca Blum, Seth Blum, Chuck Keith, Kacey Reynolds Schedler, and Heather Strickland) that explores the fun to be had by putting Shakespeare’s characters and writing into the age of television. Using the framing of a ‘Twilight Zone’ episode, the cast perform multiple roles across various genres of TV programming and advertisements, all with a unique Shakespearean twist. Game shows. Reality Shows. Morning chat-fests and afternoon talk shows. Anything goes when you’re watching a network broadcast from ‘The Shakespeare Zone’!”

Bare Theatre presents OH SH!T, IT’S ANOTHER EVENING OF ONE-ACT PLAYS at 8 p.m. Feb. 17-19, 2 p.m. Feb. 20, 8 p.m. Feb. 24-26, and 2 p.m. Feb. 27 at Common Ground Theatre, 4815B Hillsborough Rd., Durham, North Carolina 27705.

TICKETS: $15 ($8 students, seniors, and active-duty military personnel).

BOX OFFICE: 919/386-9571, boxoffice@baretheatre.org, or https://www.brownpapertickets.com/event/147088.

SHOW: http://baretheatre.org/next.html.

PRESENTER: http://www.baretheatre.org/.

VENUE: http://www.cgtheatre.com/.

DIRECTIONS/PARKING: http://www.cgtheatre.com/directions.

EDITOR’S NOTE:

Robert W. McDowell is editor and publisher of Triangle Theater Review,a FREE weekly e-mail theatrical newsletter that provides more comprehensive, in-depth coverage of Raleigh, Durham, and Chapel Hill theater than all of the other news media combined. This preview is reprinted with permission from Triangle Theater Review.

To start your FREE subscription to this newsletter, e-mail RobertM748@aol.comand type SUBSCRIBE TTR in the Subject: line.

To read all of Robert W. McDowell’s Triangle Theater Reviewpreviews and reviews online at Triangle Arts & Entertainment, click http://triangleartsandentertainment.org/author/robert-w-mcdowell/.

By Robert W. McDowell

Robert W. McDowell is a Raleigh, NC-based freelance writer, editor, and critic. He has written theater, film, book, and music previews and reviews for The News & Observer, The Raleigh Times, Spectator Magazine, and Classical Voice of North Carolina, all based in Raleigh. In 1980-91, he covered business, industry, government, and education for (We the People of) North Carolina magazine, published monthly by N.C. Citizens for Business and Industry. In April 2001, McDowell started Robert's Reviews, a FREE weekly e-mail newsletter that provides comprehensive, in-depth coverage of the performing arts in the Research Triangle area of North Carolina, which includes Raleigh, Durham, Chapel Hill, and Carrboro. Triangle Review is the latest-and-greatest version of McDowell's original newsletter. (To start your FREE subscription, e-mail robertm748[at]aol.com and type SUBSCRIBE TR in the Subject: line.) From December 1980 until September 2017, McDowell served on the board of directors of The Cinema, Inc., a Raleigh-based nonprofit film society formed in 1966. He currently publishes a weekly list of FREE advance screenings of movies in the Triangle area. (To have your e-mail address added to this FREE list, e-mail robertm748[at]aol.com and type SUBSCRIBE FFL FREE in the Subject: line.) McDowell also co-edited and supervised the production of Jim Valvano's Guide to Great Eating (JTV Enterprises, 1984), a 224-page sports celebrity cookbook; and he served as a fact checker for Valvano: They Gave Me a Lifetime Contract, and Then They Declared Me Dead (Pocket Books, 1991).