David Mamet’s “Race” at HSN Explores Perceptions That Divide White America from Black America

Hot Summer Nights and Theatre Raleigh's July 25-29 and Aug. 1-5 production of "Race" stars (from left) Alan Campbell, Lormarev Jones, David McClutchey, and Erick Pinnick (photo by Lauren Kennedy)
Hot Summer Nights and Theatre Raleigh‘s July 25-29 and Aug. 1-5 production of “Race” stars (from left) Alan Campbell, Lormarev Jones, David McClutchey, and Erick Pinnick (photo by Lauren Kennedy)

As he proved in Oleanna (1992), when he skewered Political Correctness in academia, infamously profane and famously profound Chicago playwright, screenwriter, and director David Mamet is fearless when it comes time to confronting hot-button issues. He is not only unafraid to gore some of society’s sacred cows — he gleefully makes cutlets out of them. In Hot Summer Nights and Theatre Raleigh‘s eyebrow-raising presentation of Race (2009), Mamet explores the vast gulf in perception that still divides White America from Black America, especially when it comes to allegations of white-on-black crime.

The cases of Tawana Brawley in Upstate New York and Crystal Gail Mangum right here in Durham, NC have become a kind of litmus test. Either the (predominantly white) Powers That Be pulled all kinds of strings to exonerate the guilty white men that these two African-American women accused of rape; or the women are liars, pouring gasoline on smoldering racial tensions rather than admit that their accusations are false.

In Race, David Mamet concocts a similar scenario. White billionaire Charles Strickland (superbly portrayed with all his tics and twitches by David McClutchey) is accused of viciously assaulting and raping a much-younger black woman in a hotel room. Circumstantial evidence and several eyewitnesses support parts of her claim, but Strickland adamantly insists that he is innocent — and he implores white liberal attorney Jack Lawson (1995 Tony Award® nominee Alan Campbell) and his more conservative African-American law partner Henry Brown (Erick Pinnick) to take his case.

Lawson and Brown and their new African-American associate Susan (Lormarev Jones) are initially disinclined to represent Strickland, and they subject him to the Third Degree to poke holes in his story. But, amazingly, Strickland’s version of the events in question holds up; and facts emerge that cast doubt on the veracity of the accuser and her version of what happened at the hotel. To say much more than that would be to rob HSN and TR audiences of the delightful surprises that lie at every twist and turn of David Mamet’s roller-coaster ride of a story, with its dizzying highs and stomach-churning lows, as the playwright-provocateur examines how racial attitudes affect the perception of events and the inference of the guilt or innocence of the parties involved.

Tony nominee Alan Campbell, who created the role of Joe Gillis in the hit Broadway musical Sunset Boulevard, gives a riveting performance as Jack Lawson, whose initial distaste for his client Charles Strickland persists, even as he becomes more and more convinced of the odious man’s innocence.

Erick Pinnick adds a compelling characterization of the urbane bow-tied Henry Brown, who may loathe Strickland’s racial attitudes but loves the law more; and Lormarev Jones is the mouse that roared as she reveals more and more of Susan’s prickly personality throughout the evening.

David Mamet turns the racial stereotypes of Black America and White America on their ear, and HSN and TR artistic director Lauren Kennedy and her crackerjack cast extract each and every comic and dramatic gem from Mamet’s script and give it a nice polish, even as the verboten subject matter of Race has HSN and TR patrons squirming in their seats (and no doubt rehashing the plot twists on their drive home).

Scenic designer Rick Young gives the offices of Lawson and Brown some nice architectural flourishes, and costume designer LeGrande Smith creates a nice contrast between the spiffy business attire of the three lawyers and the casual wear of their wealthy client. All in all, this third production of Hot Summer Nights and Theatre Raleigh‘s stellar 2012 season looks like a million bucks.

But it is the provocative performances of the cast, under the sure-handed guidance of Broadway veteran Lauren Kennedy, as well as the explosive subject matter of David Mamet’s incendiary script, that catapulted Wednesday’s opening-night audience from their seats — to deliver a much-deserved standing ovation to the HSN and TR cast and crew.

SECOND OPINION: July 26th Raleigh, NC News & Observer review by Roy C. Dicks: http://www.newsobserver.com/2012/07/26/2222818/hot-summer-nights-race-is-engaging.html; July 25th New York, NY Playbill.com preview by Andrew Gans: http://www.playbill.com/news/article/168389-Alan-Campbell-Stars-in-David-Mamets-Race-Beginning-July-25-Lauren-Kennedy-Directs; and July 23rd Raleigh, NC BroadwayWorld.com Raleigh preview by BWW News Desk: http://raleigh.broadwayworld.com/article/Lauren-Kennedy-Directs-Alan-Campbell-in-Theatre-Raleighs-RACE-20120723. (Note: To read Triangle Arts & Entertainment’s online version of the July 25th Triangle Theater Review preview by Robert W. McDowell, click http://triangleartsandentertainment.org/2012/07/lauren-kennedy-will-direct-her-husband-tony-nominee-alan-campbell-in-race-by-david-mamet/.)

Hot Summer Nights and Theatre Raleigh present RACE at 8 p.m. July 27 and 28, 3 p.m. July 29, 8 p.m. Aug. 1-4, and 3 p.m. Aug. 5 in the K.D. & Sara Lynn Kennedy Theatre in back of the Progress Energy Center for the Performing Arts, 2 E. South St., Raleigh, North Carolina 27601.

TICKETS: $24 ($20 students, seniors, and active-duty military personnel).

BOX OFFICE: 866-811-4111 or https://web.ovationtix.com/trs/cal/27655.

INFORMATION: 919-480-5166 or info@hotsummernightsatthekennedy.org.

SHOW/PRESENTER/SEASON: http://www.hotsummernightsatthekennedy.org/.

VENUE: http://www.progressenergycenter.com/venue/kennedy-theatre.

DIRECTIONS/MAP: http://www.progressenergycenter.com/directions.

PARKING: http://www.progressenergycenter.com/parking.


The Play: http://en.wikipedia.org/wiki/Race_(play) (Wikipedia) and http://www.ibdb.com/show.php?ID=483897 (Internet Broadway Database).

The Script: http://books.google.com/ (Google Books).

The Playwright: http://en.wikipedia.org/wiki/David_Mamet (Wikipedia) and http://www.ibdb.com/person.php?id=5000 (Internet Broadway Database).

Lauren Kennedy: http://laurenkennedy.com/ (official website), http://en.wikipedia.org/wiki/Lauren_Kennedy (Wikipedia), and http://www.ibdb.com/person.php?id=70340 (Internet Broadway Database).

Alan Campbell: http://www.alancampbell.net/ (official website) and http://www.ibdb.com/person.php?id=78100 (Internet Broadway Database).


Robert W. McDowell is editor and publisher of Triangle Theater Review, a FREE weekly e-mail theatrical newsletter that provides more comprehensive, in-depth coverage of Raleigh, Durham, and Chapel Hill theater than all of the other news media combined. This review is reprinted with permission from Triangle Theater Review.

To start your FREE subscription to this newsletter, e-mail RobertM748@aol.com and type SUBSCRIBE TTR in the Subject: line.

To read all of Robert W. McDowell’s Triangle Theater Review previews and reviews online at Triangle Arts & Entertainment, click http://triangleartsandentertainment.org/author/robert-w-mcdowell/.

By Robert W. McDowell

Robert W. McDowell is a Raleigh, NC-based freelance writer, editor, and critic. He has written theater, film, book, and music previews and reviews for The News & Observer, The Raleigh Times, Spectator Magazine, and Classical Voice of North Carolina, all based in Raleigh. In 1980-91, he covered business, industry, government, and education for (We the People of) North Carolina magazine, published monthly by N.C. Citizens for Business and Industry. In April 2001, McDowell started Robert's Reviews, a FREE weekly e-mail newsletter that provides comprehensive, in-depth coverage of the performing arts in the Research Triangle area of North Carolina, which includes Raleigh, Durham, Chapel Hill, and Carrboro. Triangle Review is the latest-and-greatest version of McDowell's original newsletter. (To start your FREE subscription, e-mail robertm748[at]aol.com and type SUBSCRIBE TR in the Subject: line.) From December 1980 until September 2017, McDowell served on the board of directors of The Cinema, Inc., a Raleigh-based nonprofit film society formed in 1966. He currently publishes a weekly list of FREE advance screenings of movies in the Triangle area. (To have your e-mail address added to this FREE list, e-mail robertm748[at]aol.com and type SUBSCRIBE FFL FREE in the Subject: line.) McDowell also co-edited and supervised the production of Jim Valvano's Guide to Great Eating (JTV Enterprises, 1984), a 224-page sports celebrity cookbook; and he served as a fact checker for Valvano: They Gave Me a Lifetime Contract, and Then They Declared Me Dead (Pocket Books, 1991).