Triangle Arts and Entertainment – News and Reviews Theatre Dance Music Arts

DPAC’s Charlie and the Chocolate Factory Treats Viewers to a Truly Fantastical World of “Pure Imagination”

Almost everyone has seen some iteration of Charlie and the Chocolate Factory. Whether they’ve read Roald Dahl’s original book, watched the 1971 film starring Gene Wilder, or have checked out the somewhat bizarre Tim Burton adaptation, it’s a fun and fantastical morality tale that most are familiar with. However, this familiar story takes on a whole new twist and becomes more fantastical than ever in DPAC’s presentation directed by Jack O’Brien. This new version, featuring songs from the original film as well as a delightful new score, is akin to every child’s wildest dreams and proves truly magical from start to finish.

At Tuesday’s opening night performance, understudy Benjamin Howes found himself in the role of Willy Wonka. However, the production played out as if he had always held this role. Indeed, Howes emanated the perfect mix of dark humor and kid-friendliness (at least to the kids in the audience), making this character every bit as out-there and still-loveable as possible.

Likewise, Tuesday’s Charlie, as portrayed by young Rueby Wood, was purely perfect in his role. While Charlie is often portrayed as a sad, downtrodden character- understandable due to the poverty he lives in- Wood creates a spunky, wonderfully optimistic Charlie that audiences easily fall in love with.

As viewers get to know Charlie in the first act, his bleak world is enlivened by imaginative set pieces, including the amazing bed/house piece that is home to Charlie, his mother (Amanda Rose), and most importantly, his Grandpa Joe (James Young). Young has fun with Grandpa Joe’s crazy stories, which make him seem indeterminably old…at least until it’s revealed that he is exactly “ninety and one half.”

And, while the well-acted characters all prove fun, sympathetic, and entirely kid-appropriate, there is definitely some darker humor sprinkled in for the older audience members to enjoy. The grandparents proclaim that they “hope we don’t die in our sleep,” Mike Teavee’s mother (Madeleine Doherty) pops pills and drinks wine with gusto, and some of the later scenes that take place at the factory are grisly in a way that pays homage to the original film.

What kids will take away, however, is the inspiration the Charlie character provides. He is a boy who is not afraid to dream big. In fact, the production itself seems to be a celebration of big dreams, imagination, and creativity, things which, as the clever script alludes, are sadly dying out in today’s world.

While the script sticks fairly close the original film, it is not afraid to add in a few modern adages, never delivered heavy-handedly. For example, young Mike Teavee (Daniel Quadrino) is still obsessed with television, but he’s also obsessed with his tablet. And Violet Beauregarde (Brynn Williams) and her father (David Samuel) are overly concerned with posting every detail of the character’s journey to Instagram. These smart but subtle references add modernity and depth to the adaptation.

And, while the morality of the first act still manages to be plenty of fun in its own right, it’s practically sedated compared to the magic and wonder of the second act.The creators of this show seem to have taken the “The Candy Man” lyric literally- the one which states, “Talk about your childhood wishes.” For, once the characters have entered the lair that is Willy Wonka’s chocolate factory, nothing short of pure magic or, at least, pure imagination ensues.

The world of Wonka is designed colorfully and fantastically. And, while to say too much would be to give away the delightful surprises of the second act, key moments include Mike Teavee’s amazing “transformation,” Violet’s “bloating,” and, especially, Veruca’s…coming apart. These crazy scenes unfold without a hitch, often leaving viewers shocked and in true wonderment. If the original film was put on steroids and then freaked out times ten, it could almost compare to the amazement this production provides.

Anyone who needs an escape from life (and, honestly, who doesn’t these days?) will be enthralled by this child-like but not childish show. Brilliantly acted, incredibly fun, and beyond amazing in so many aspects, this is the Charlie and the Chocolate Factory you’ve believed in all your life.

The Durham Performing Arts Center presents Roald Dahl’s CHARLIE AND THE CHOCOLATE FACTORY at 7:30 p.m. Feb. 13 and 14, 8 p.m. Feb. 15, 2 and 8 p.m. Feb. 16, and 1 and 6:30 p.m. Feb. 17 at 123 Vivian St., Durham, North Carolina 27701, in the American Tobacco Historic District.

TICKETS: $31 and up, plus taxes and fees. Click here to enter the digital lottery for $30 Rush Tickets.


DPAC Box Office: 919-680-ARTS (2787),, or

Ticketmaster: 800-982-2787 or

GROUP RATES (15+ tickets): 919/281-0587,, or

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THE TOUR: c,–518389,,, and





NOTE: Arts Access, Inc. of Raleigh will audio-describe the show’s 8 p.m. Saturday, Feb. 16th, performance.


Charlie and the Chocolate Factory (1964 children’s book): (official web page) and (Wikipedia).

Roald Dahl (British writer and screenwriter, 1916-90): (official website), (Internet Broadway Database), (Internet Movie Database), and (Wikipedia).

Charlie and the Chocolate Factory (2005 film): (official website), (Turner Classic Movies page), (Internet Movie Database), and (Wikipedia).

Charlie and the Chocolate Factory (2017 Broadway musical and 2018 National Tour): (official website), (Internet Broadway Database), and (Wikipedia).

Marc Shaiman (music and lyrics): (Kraft-Engel Management bio), (Internet Broadway Database), (Internet Movie Database), and (Wikipedia).

Scott Wittman (lyrics): (Official Masterworks Broadway Site bio), (Internet Broadway Database), (Internet Movie Database), and (Wikipedia).

David Greig (book): (British Council bio), (Internet Broadway Database), (Internet Movie Database), and (Wikipedia).


Susie Potter is a Raleigh, NC-based freelance writer and editor. She is a 2009 graduate of Raleigh’s Meredith College, where she majored in English. She holds graduate degrees in teaching and American literature from North Carolina State University in Raleigh. In addition to her work for Triangle Arts and Entertainment, she is an award-winning author of short fiction. Her works have appeared in The Colton Review, Raleigh Quarterly, Broken Plate Magazine, Big Muddy: A Journal of the Mississippi River Valley, the Chaffey Review, and Existere. To read all of Susie Potter’s Triangle Arts and Entertainment articles and reviews, click To read more of her writings, click,, and

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Categorised in: A&E Theatre Reviews, Lead Story, Reviews