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Theatre Raleigh’s Beehive: The 60’s Musical Is Hip, Fresh, and a Whole Lot of Fun

Destiny Diamond (center) stars as Jasmine in Beehive: The 60's Musical (photo by Jennifer Robertson)

Destiny Diamond (center) stars as Jasmine in Beehive: The 60’s Musical (photo by Jennifer Robertson)

Akin to stepping back in time, Theatre Raleigh’s Beehive: The 60’s Musical, directed by Tim Seib and choreographed by Sherry Lee Allen, is a wild, fun ride that all viewers — whether they’re 60s music enthusiasts or not — are sure to enjoy. The production takes viewers through each step, change, and major event in this pivotal decade while offering lots of fun and nostalgia along the way.

The show begins with mood and era-setting video clips projected onto the set walls. Old commercials and glimpses of John Wayne and John F. Kennedy easily transport viewers back in time. And then, out come the performers. A lively female cast, each decked out in matching-but-different 60s dresses in a variety of colors, take the stage. And, from that moment on, this energized, always-moving cast keeps the viewers’ attention throughout.

Feisty, strong-voiced Wanda (Yolanda Rabun) leads the cast as they transition from one 60s hit to another with ease and gusto. And it’s not just the ladies who are singing either. A healthy dose of audience participation is encouraged, which keeps the energy high and the fun flowing. And, speaking of fun, there are plenty of standout, great-time moments that happen throughout this fast-moving musical. Case in point, the “My Boyfriend’s Back” number features the entire cast singing and engaged in an adorable pillow fight. But the top moment of the night would have to be when Pattie, hilariously portrayed by the show-stealing Casey Wenger-Schulman, singles out an audience member to passionately (and maybe a little stalker-ly) sing “Baby I Love You” to.

Of course, like the decade itself, this musical isn’t all fun and light. The second act starts on a more somber note, covering the deaths of JFK and Martin Luther King Jr. However, happy changes, such as the increasing freedom and rights of women, are covered as well, marked often by clever costume and hair changes.

As time (and the show) marches on, there are almost too many musical standouts to name. Destiny Diamond exhibits great stage presence as “Jasmine” and really nails the “Natural Woman” number while Lydia D. Kinton’s “Laura” offers great tenderness and a rich voice during “Will You Still Love Me Tomorrow” and “Abraham, Martin, and John,” and then turns around and pulls off a perfect, throaty Janis Joplin with “Cry Baby.”

Blending girl power, great music, complex choreography, and great, very alive energy, this production is a wonderful and surprisingly refreshing treat that is easy to fall in love with.

<em>Beehive: The 60's Musical</em> stars (from left) Lydia Kinton as Laura, Yolanda Rabun as Wanda, Destiny Diamond as Jasmine, and Casey Wenger-Schulman as Pattie (photo by Jennifer Robertson)

Beehive: The 60’s Musical stars (from left) Lydia Kinton as Laura, Yolanda Rabun as Wanda, Destiny Diamond as Jasmine, and Casey Wenger-Schulman as Pattie (photo by Jennifer Robertson)

Theatre Raleigh presents BEEHIVE: THE 60’S MUSICAL at 8 p.m. May 9 and 10, 2 and 8 p.m. May 11, 3 p.m. May 12, 8 p.m. May 15-17, 2 and 8 p.m. May 18, and 3 p.m. May 19 in the Sara Lynn and K.D. Kennedy, Jr. Theatre in the Duke Energy Center for the Performing Arts, 2 E. South St., Raleigh, North Carolina 27601.

TICKETS: $35 ($32.50 students, seniors 65+, and active-duty military personnel), except $45 for premium seating.

BOX OFFICE: 919-832-9997,, or

GROUP RATES (10+ tickets): 919-832-9997 or

SHOW:,, and







Beehive: The 60’s Musical (1986 Off-Broadway musical): (Theatrical Rights Worldwide) and (Internet Off-Broadway Database).

The Script: (Sipikora.Online).

Study Guide: (Repertory Theatre of St. Louis).

Larry Gallagher (creator and Off-Broadway director): (Internet Off-Broadway Database).

Tim Seib (Theatre Raleigh guest director): (official website) and (Facebook page).


Susie Potter is a Raleigh, NC-based freelance writer and editor. She is a 2009 graduate of Raleigh’s Meredith College, where she majored in English. She holds graduate degrees in teaching and American literature from North Carolina State University in Raleigh. In addition to her work for Triangle Arts and Entertainment, she is an award-winning author of short fiction. Her works have appeared in The Colton Review, Raleigh Quarterly, Broken Plate Magazine, Big Muddy: A Journal of the Mississippi River Valley, the Chaffey Review, and Existere. To read all of Susie Potter’s Triangle Arts and Entertainment articles and reviews, click To read more of her writings, click,, and

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