Tag: Colman Domingo

Summer: The Donna Summer Musical Brings the Ultimate Disco Dance Party to DPAC
If you’re looking for an upbeat, danceable production to enjoy during these dark February nights, the Durham Performing Arts Center has a prescription for you: Summer: The Donna Summer Musical, presented as part of DPAC‘s WRAL Greatest Hits of Broadway Series. No, it’s not June-July-August-Summer, but Donna Summer, who carved a lane for herself in… Read More ›

DPAC’s Production of Summer: The Donna Summer Musical Entertains and Empowers
Whether you’re a big fan of musical legend Donna Summer or just have a passing interest in her life, Summer: The Donna Summer Musical, onstage now at Durham Performing Arts Center under the direction of Des McAnuff, is a fun, intriguing look at all parts of this celebrated artist. It explores her as a child,… Read More ›

PlayMakers Rep Eschews Holiday Schmaltz in Favor of Colman Domingo’s Tragicomic Dot
I have stood in this kitchen. I have had these conversations. I have experienced these fears and joys. You might have, too. Philadelphia, PA-born African-American playwright and screenwriter Colman Domingo’s realistic tragicomedy Dot is running at PlayMakers Repertory Company through Dec. 10th. Domingo, a Tony Award®-nominated actor, dancer, director, and playwright, has crafted characters that,… Read More ›

Colman Domingo’s Dot at PlayMakers Rep Is "A Dizzy, Dysfunctional Family Reunion to Remember"
PlayMakers Repertory Company will present the regional premiere of Philadelphia, PA-born African-American playwright and screenwriter Coleman Domingo’s 2017 adult comedy, Dot, which PRC dubs “A dizzy, dysfunctional family reunion to remember,” on Nov. 22 and 24-26, Nov. 28-Dec. 3, and Dec. 5-10 in the Paul Green Theatre in the University of North Carolina at Chapel… Read More ›

Lisa Ramirez’s “Exit Cuckoo” Turns a Gimlet Eye on Nannying and Motherhood
Playwright/performer/nanny Lisa Ramirez interweaves her own story with vivid vignettes of nannies from Ireland, the Caribbean, and Central and South America. She also paints unforgettable portraits of a pragmatic personnel-agency executive, a distraught grandmother who moved into Manhattan from the Bronx only to find herself competing for quality time with her grandchildren’s nanny, and mothers who begin to second-guess their decisions to try to “have it all.”